Man, I need to draw up a press pass for E3 next year, because aside from the dope new games, this is the type of shit I missed. In case you have not heard, Activision is giving Hip-Hop the "Guitar Hero" treatment with DJ Hero (sub the guitar with turntables and that's what this game is). The game is going to featuring not only well known joints, but as well as unreleased records from a variety of artists, including these two. This was from the World Famous Wiltern Theatre In Downtown L.A. Jay-Z & Eminem- Renegade (Live From The DJ Hero Showcase)
All I'm sayin is Jay HAS to use this shit on Blueprint 3. This is off the soundtrack for the Biggie bio flick Notorious, which is droppin next month. The soundtrack is going to feature unreleased demos from Biggie early work. That alone may make me cop the soundtrack.
Notorious Soundtrack Tracklisting 1. "Notorious Thugs" (featuring Bone Thugs-N-Harmony) 2. "Hypnotize" 3. "Notorious" 4. "Juicy" 5. "Party & Bullsh--" 6. "Warning" 7. "One More Chance" remix (featuring Faith Evans) 8. "Brooklyn Go Hard" (Jay-Z featuring Santogold) 9. "Letter to B.I.G." (Jadakiss featuring Faith Evans) 10. "Kick in the Door" 11. "What's Beef" 12. "World Is Filled" 13. "One More Chance" (featuring CJ) 14. "The Notorious Theme" (composed by Danny Elfman) 15. "Microphone Murderer" (previously unreleased demo) 16. "Guaranteed Raw" (previously unreleased demo) 17. "Love No Ho" (previously unreleased demo)
Here is the studio version of "Jockin' Jay-Z." Apparently now, The Blueprint 3 is now going to be produced entirely by Kanye. But knowing how Jay changes his mind in regards to the directions of his album (see the original plan for The Black Album), we'll see how that goes.
The subject of Love in Hip-Hop as been present every since LL took the bold risk of recording "I Need Love" for his 1987 Sophomore album Bigger And Deffer. So because I had some "love shit" on my mind while writing, I decided to post some of my favorite videos about the Hip-Hop and the opposite sex.
Mos Def- Ms. Fat Booty Storytelling wise, this is one of my favorite songs period. Mos vividly tells the story of the shorty who had "all the right weaponry." Also musically, if you have heard the original sample for the song, you know that producer Ayatollah chopping work is bananaz.
Talib Kweli- Never Been In Love Keeping the Blackstar movement goin (I wish Brown Skin Lady had a video), not only one of my favorite joint from Kweli's The Beautiful Stuggle, but one of my favorite Just Blaze beats.
Jay-Z- Song Cry Another Just Blaze And The Blazettes Presentation, featuring Young Hov. This one was on repeat when I was bumping The Blueprint back in 8th Grade.
The Roots & Erykah Badu- You Got Me Although "Complexity" from Phrenology (which featured Jill Scott, who wrote the hook for "You Got Me" and was featured on the song's demo) gets more burn from me, you gotta show love to grammy award winning record that introduced the mainstream to The Legendary Fifth Dynasty from The Illadelph. ?uesto's Drum and Bass inspired drumming on the tracks outro is extra dope.
A Tribe Called Quest- Bonita Applebum & Find A Way Is really neccessary for any explanation for these two selections? Bonita is still holds up to this day and Find A Way is one of the my top 5 Dilla beats. The bassline is fuckin' immaculate.
Slum Village- Climax (Girl Shit) Another favorite Dilla Beat of my mine, and one of my favorite SV videos. Check out Gary Coleman's cameo on his "One won't do it, not enough for me no," steelo. Check out S.V's "Multiply" from their last self-titled album. That joint to me is the sequel to "Climax."
The Pharcyde- Passing Me By & She Said (J. Dilla Remix) Sad to say, but Passing Me By is damn near the theme to my love life. The She Said remix is one of my favorite Pharcyde joint. I love the cinematography of the video.
Little Brother- Slow It Down (Live On MTV.COM) Did I just say "Passing Me By" was the theme to my love life? Well... almost, actually, it's Phonte's verse on this LB classic that says it all.
Bilal feat. Mos Def & Common- Reminisce Sonically, another Dilla Dawg favorite of mine. Common's verse on here I can relate to a lot, that's why, although this is not a video, I HAD to put this joint up here.
Common- The Light, Come Close, And I Want You As far as Hip-Hop love songs go, for me, Com has the crown. Although LL started it, Com has master the craft. The Light (another damn Dilla Classic, what is this the 5th Jay Dee produced jawn on this list?), not explantion needed. I Want You, one of my favorites from Finding Forever, I couldn't stop playing this one the day I got the album. Come Close, hidden gem in the catelog of Pharrell And Chad. As a matter of fact, I didn't know it was The Neptunes until about 2 years ago, that produced Come Close. I will be using this one when I propose. So ladies, if you are dating me, and I start rapping this song to you, to quote Flava Flav, "You know what time it is."
LL Cool J- I Need Love, Hey Lover, & Hush. Of course I had to show love the joint that started it all. Hey Lover (featuring Boyz II Men) won a grammy back in 1996. This most likely the best of sequel to Hey Lover. Hush was pne of my favorite joints from Uncle L's 11th album "The DEFintion".
I know I missed a couple (this whole post could have been filled with all LL joints honestly), but what are some of your favorite Hip-Hop Love joints? Hit me with your selections on the comment page.
Call Pete Rock... TODAY!!!! Back in 2003 when remixes for "The Black Album" was all over the place, there was an unauthorized remix album featuring beats from The PR floating around. How I found this was I was looking on Imeem looking for the instrumental "Take The D Train" from Pete's "Petestrumentals" album, and found the beat with Hov's vocals on it. With signature Pete Rock interlude at the end (Roc-A-Fella style).
Since were on the subject of Skillz in the last post, I forgot about this banga. This dropped around this time last year. It's off Skillz long awaited new LP, "Million Dollar Backpack." According the Skillz, when he first heard the beat he said it sounded like "What We Do Pt. 2." So, why wouldn't you get the man behind that joint to "rock the mic" with you?
And for the hell of it, because it's "So necessary right now." (c) Hov...
(From Allhiphop.com) Hip-Hop mogul Jay-Z and R&B singer Mary J. Blige have announced that they will tour North America on the 25-date "Heart of the City" tour. The tour, which is produced by Live Nation, kicks off March 22nd at Miami's American Airlines Arena. The pair will stop in major markets like New Orleans, Houston, Las Vegas and Philadelphia. The tour will also make a stop at L.A.'s Hollywood Bowl on April 16th. Tickets go on sale on sale for the first shows beginning February 15th and are available through http://www.livenation.com/.
Tours Dates: March 22 Miami, FL American Airlines Arena March 26 Baltimore, MD 1st Mariner Arena March 27 Uniondale, NY Nassau Veterans Memorial Coliseum March 28 East Rutherford, NJ Izod Center March 30 Philadelphia, PA Wachovia Center April 2 Toronto, ON Air Canada Centre April 3 Boston, MA TD Banknorth Garden April 5 Greensboro, NC Greensboro Coliseum April 6 Washington, DC Verizon Center April 16 Los Angeles, CA Hollywood Bowl
Now, for those who are not Cali natives, this is the Hollywood Bowl...
My grandmother would take my sister, my cousins and myself to shows at the Bowl. This shows were musicals, orchestra, jazz, etc. While there have been a Rock, R&B, and Soul shows their before, I can remember ANY Hip-Hop artist to ever perform at the Hollywood Bowl. I have to check into this.
Either way I could have never imagined Jay to play Hollywood Bowl!!! Plus Mary on the bill, that show is going to be live. We know they are going to do "Can't Knock The Hustle," but them doing "Song Cry" again? Damn. But wait, what about Mary on the hook to "Heart Of The City?" (Ric Flair Face). Wow.
This reportedly was recorded for Timbo's Shock Value, but was unfinished when it was time turn in the album. BUT, as much I can't stand Clue HORRENDOUS yelling (and I blame him for starting the "DJ yelling during the track with the reverb on high" trend), he says something actually useful this time. "New Jay-Z, Off That Blueprint 3?" Wait... BLUEPRINT 3!?!??!?!?!?!?!?.
Here we go, let the rumors fly and the countdown begin, I bet now that album is gonna come outta no where. What makes this track possibly new is it ironicly somewhats address some of the latest drama that has occured at Roc-A-Fella Records.
And may add that (beside that "Give It 2 Me Remix") this is the first Timbo/Hov calabo since "Dirt Off Your Shouders." This track shows the chemstry has not decrease, but better yet, gotten better. Jay on his lyrical A game and Timbo providing a beat with "That Knock;" or as Jay said it in "Fade To Black," "that bounce." That bridge around 2:50.... WOOOOOOOOO (Makes Ric Flair face), that shit is fire.
Hot 97 Summer Jam (July 2001). This the infamous concert where Jay first peformed a certain record called "The Takeover" and jumped off one the biggest battles in Hip-Hop history.
New to The Theory is the segment "Say Word." It's just me posting pictures or videos I may find mind blogging, dope, and/or somewhat amusing. First up, The Roots' ?uestlove.
The Roots On a Award Tour in Japan... Aw man, I know that feeling @ a record store. It's like giving away your whole life savings, knowing damn well you spent too much, lol!!
Yep, that is three, count em, THREE receipts of merchandise.
Practice from the New Years Vegas Show... " "What's you talkin about Hov?"
Roc Boys live... damn that shit sound good, don't you agree?
Happy New Year to you all!!! I am still recovering from last night's gig. Yo... all I gotta say is that shit was crackin' backs and chiropractors. The atmosphere was electric. I've NEVER seen that many people fit in my crib like that, let alone on my damn street. As God is my witness, the front line outside my house was equivalent to line I would see trying to enter a night club. I filmed so short clips on my camera and will try to get them on here via Youtube in another day or so. But enough about last night, here's what ya'll came to read.
(Coffee House Vol. 2 @ The Mount. Rock The Mic With The Flow)
2007 was a turning point for Hip-Hop. As a election year draws close, Hip-Hop re-entered the political arena, absorbing it share of praise and criticism. Many listeners had reached their boiling point in how commercialize, or more importantly, how stail and uninspired most the music had become. Many, including myself, see this as one of the reasons why record sales may not seem as prosperous as before. To cap that off, thanks to Mr. Nasir Jones, bought about the primary discussion within the culture and the music industry as a whole, "Is Hip-Hop Dead?"
If anything, Hip-Hop in 2007 answered that question. No, Hip-Hop is not dead, it was just going through a growing pain, maybe even a mid-life crisis (rememeber, the culture is technically in it's 30s since it's conception in the late 1970s). It seemed as if the individuals that truly cared about the music, now were going to the extra mile; putting more effort, heart and soul into their craft than ever before. This resulted in, from an artistic aspect, one of best years for Hip-Hop in a long time.
I am always one to testify that music becomes the soundtrack to a person's life. You may hear the one song on the radio or that one song that randomly starts playing on your I-Tunes that brings you back to a time. To that one day, to that one person, to that one situation, to that one memory; with recollection ranging from positive to negative feelings. These 10 albums for me (and let me reiterate that... FOR ME!!!) will make me recall of 2007.
10) Black Milk- Popular Demand (Fat Beats Records)
Hailing from "The D" (Detroit), Producer/MC Black Milk gained notoriety through his work with Slum Village on their last two albums, "Detroit Deli" and "Slum Village," as well through his own two previously released E.Ps, "Sound Of The City Vol. 1" and "Broken Wax." The raw, but soulful sound of Black gain him respect among his peers, as well as comparisons to another notable Detroit beatsmith; the late, great J Dilla. But as time progressed, Black's sound evolved into his own; determined to make his own mark. This is evident on his solo debut, "Popular Demand."
From jump, it's evident that Black is one of the nicest, and hungriest producers on the mic. Holding his own next to Detroit Hip-Hop staples such as Guilty Simpson (the 1st single, "Sound The Alarm") and Phat Kat ("Lookatusnow"), Black's punchline heavy lyrics complement his musical boom-bap ruckus. He even switch up his flow, as seen on the bounce heavy, "Insane." Possibly the highlight, and most talked about moment on the album comes on "Action." Black reunites the "Trinity" line-up of Slum Village (T3, Baatin, and Elzhi) for four minutes of Detroit nostalgia and constant head nodding.
With the "Caltroit" mixtape with Aftermath artist Bishop Lamont making noise and albums with Guilty Simpson, Sean Price, and his own sophomore L.P on tap, 2008 may see Black Milk become the next legendary producer from midwest. Rewind Material:
9) Evidence- The Weatherman L.P (ABB Records)
2007 can be a representation of freedom for Los Angeles based trio Dilated Peoples. Finally released out their 5 album deal with Capital Records (as documented in the DVD, "The Release Party"), each member was now allowed to record each of their solo records. First up was the Evidence, who has, with his solo debut, "The Weatherman L.P," has delivered his most personal work yet, and creates his own identity outside of Dilated Peoples.
If any theme runs apparent throughout "The Weatherman L.P," it's individual respect. In the course of 21 tracks (including 4 interludes), Ev "goes for his" and displays a certain confindence and conviction not found before on past Dilated release. Right off the bat, this idea is made know during the closing moments of the opening track, "I Know," which DJ Revolution (known as the DJ for the weekly underground Hip-Hop radio show, "The Wake Up Show") scratches "Going out on my own, somethin' I gotta do/I didn't leave my group, it's time we all expanded."
Sonically, the album is (what Dilated member Rakaa Iriscience describes as) "Offical Dilated Boom-Bap Business." Featuring beats from Sid Roams, Jake One, Dilated Peoples member DJ Babu, frequent Dilated collaborator The Alchemist, and Evidence himself, "Weatherman" accompanies Ev's steady but affective delivery. Attacking issues such as the record industry, his childhood, his place in Hip-Hop, and the death of mother, Evidence raps his heart out and is lyrically, at his best. Three great examples of this the Alchemist produced "Chase The Clouds Away," "All Said And Done," (The 3rd verse of this song is possibly one the best verses Ev has ever written), and the tribute to his mother, "I Still Love You."
With "The Weatherman L.P," Evidence scores first and sets the high bar for Dilated's solo projects, With DJ Badu's April 2007 release "The Beat Tape Vol. 1," Rakaa's solo debut "Crown Of Thorns" slated for a 2008 release, and a new Dilated album on tap for 2009, it's looks we have only witnessed the first portion of Dilated's historic run. "C-A ALLLLLLLLLLLLLLLL DAY!!!" Rewind Material:
True story. I had just finish summer school (a three week session in early June) and headed to the FYE around the corner from the crib to pick up some records. I was going out with the homies that night so I had to make it quick and get back to house to get ready. After about 30 minutes in the store, I had decided to purchase Madlib's first Beat Konducta album "Vol. 1-2: Movie Scenes." I was on my way to register when all of a sudden, I heard the sound of a record spinning in reverse, followed by knockin' drums and thunderous guitars. I immediately stopped dead in my tracks started to nod my head to the song. I asked the clerk "who was that?" He replied, "That's that new Pharoahe Monch." This song would turn out to be the Black Milk produced "Let's Go." Needless to say, I ended up buying both albums.
Believe it or not, has close to a decade since Pharoahe release his debut,"Interal Affairs" on the now legendary label, Rawkus Records; which brought the classic 12-inch single, "Simon Says." With his long awaited follow up, "Desire," Pharoahe not only deliverers a near classic, but proves why he is one of the most slept on artist in Hip-Hop today.
"Desire" opens when a bang with politically charged "Free." You know your in for something serious when the first line of the album is "Your A&R a house nigga, the labels the plantation." Damn!!! And this is just one of Pharoahe mind bending similes and metaphors, which is thorough throughout the whole L.P. From the title track (produced by The Alchemist", to inspiring "Push" (featuring the legendary horns of Tower Of Power) to excellent remake of the Public Enemy classic "Welcome To The Terrordome," Pharoahe delievers his own brand of grind music for the "everyday people." Things even get darker with self-produced "What It Is" and the Mr. Porter produced and featured "When The Gun Draws," which finds Pharoahe rapping from the perspective of a bullet.
But that does mean Pharoahe does not know to have fun. The forementioned, "Let's Go," the 1950's Soul inspired first single, "Body Baby," and Black Milk produced "Bar Tap," fill that void. Not to mention, Pharoahe Monch delievers hands down, the funnest skit of 2007. I can even describe what this is. Just listen to the end of "Let's Go," and make sure you are not eating anything while listening. You may choke on your food out of laughter. "Desire" ends with the powerful "Trilogy," which is a three part tale of a marriage gone horribly wrong.
It may have taken 9 years to get the sequel to "Internal Affairs," but it was well worth the wait. If anything is evident on "Desire," that is only a matter of time before the masses realize how dope Pharoahe Monch is. Rewind Material:
7) DJ Jazzy Jeff- The Return Of The Magnificent (Rapster Records/BBE Records)
Do that math. Philadelphia's DJ Jazzy Jeff is a bonifide Hip-Hop legend. It's been 21years since he made his debut on wax with The Fresh Prince (you may know him today as Hollywood leading man Will Smith) on "Rock The House." It's been 20 years since "He's The DJ...." It's been 18 years (yep 90's babies, 18 years) since we first saw Jeff get thrown out of The Banks' Bell Air Mansion by Uncle Phil because he trying to holla at Hillary (and got busy on the living room turntable).
17 years since "Summertime," 11 years since "Big Willie Style," 9 years since Willennium, and 3 years since "Lost And Found," the last time we saw Jeff and Will get down on wax. Between all of this, Jeff has founded a production company (A Touch Of Jazz), continually tours worldwide (and with Will on occasions), helped develop and nuture one R&B biggest stars (Jill Scott), and dropped two solo albums. The second being this year's "The Return Of The Magnificent," the sequel to 2001's "The Magnificent."
The best way to describe "Return" is with the phrase "back to basics." "Return" is 16tracks of soulful boom bap Hip-Hop that will take you to the past, and back to the future, without missing a step. Produced entirely by Jeff, "Return" features some the biggest names in Hip-Hop, past and present, including Pos of De La Soul (Let Me Hear You Clap), Method Man (Hold It Down), CL Smooth (All I Know), Kardinal Offshall ("She Was So Flyy"), Big Daddy Kane ("The Garden," a dedication to Hip-Hop's fallen), Rhymefest ("Jeff N Fess," a reflipping of Gang Starr's debut single "Manifest"), and Peedi Peedi (composing a 2007 edition of "Brand New Funk" a staple in the catalog of Jeff and Will's).
"Return" also showcases some of the dopest talent underground Hip-Hop including J-Live (on my favorite track, "Practice"), Kel Spencer ("The Definition"), Twone Gabz (Pulling double duty on the refreshingly honest "Hip-Hop" and "Go See The Doctor 2K7"), Black Ice (Run That Back), Dave Ghetto (Come On), and in my humble opinion, one of two of the best female MCs out today (the other being Amanda Diva), Jean Grae (Supa Jean). Jeff also get his R&B on with a crazy flip of Floetry's "Say Yes" on Chinah Blac's "Touch Me With Your Hands" and the two-step jam "My Soul Ain't For Sale" featuring the extremely talented and underrated Raheem DeVaughn.
At the core of "Return" is the storyline (which plays out thought interludes) of Jeff traveling to Atlanta to visit his son. However, the catch is Jeff's car is in the shop and he is driving in a rent-a-car with only radio (the album's songs serve as the music on the radio). Not only is Jeff have to put up with "bullshit radio" as he puts in the intro, everyone continually asks him the question of "Where is Will Smith At?" This leads to Jeff making a call to Will Smith's offices and an interlude that reminiscent of a classic "Fresh Prince" episode. It's good to see Jeff and Will's comedic chemistry is still intact after all these years.
For me, the release of "The Return Of The Magnificent" bought the beginning of summmertime and the first Hip-Hop album in while that my mother actually listened through the whole way through and loved (lol). This album breathes bangin' Hip-Hop from cover to cover. Maybe for good Hip-Hop, like Jeff says to his son during the outro, "Maybe there's hope." "Return" defiantly raises my hopes. Rewind Material:
2007 has been been filed with highs and lows for Lupe Fiasco. Highs coming in the form of Grammy nominations from his 2006 critically acclaimed debut album "Food & Liquor." Lows coming in form in the death of his father. High coming in form of buliding his fan base through captivating life performances. Lows coming in the form of his business partner, Charles "Chilly" Patton sentenced to 44 years in Federal prison on drug trafficking charges.
Highs coming in the form of being regarded by fans and peers as one of the best MCs rocking mics today. Lows coming in the form of heavy criticism over "Fiascogate," in which during a tribute to A Tribe Called Quest on VH1's Hip-Hop Honors 2007, Lupe slightly flubbed part of Phife's first verse on "Electric Relaxation." Then engaging in back and forth squabbling with internet fans over his influences, in which he was criticized again for not ever listening to Tribe third album "Midnight Maruaders" (which features Electric Relaxation), stated that Q-Tip was the person that personally asked him to a part of the performance (Tip stated that this was incorrect) and may have said a little more than he should have in an interview with Vibe Magazine, unknowingly pouring more gasoline over the situation:
"[Tribe] didn't sell 10 million records, so why would people think they had a blanket on the world like that? MC Hammer was way more popular to me than Tribe Called Quest....those hip hop elitists who think [Tribe] hold the crown and the copyright to hip hop, listen to 8Ball & MJG and I think they're better than you [Tribe]."
Triumphs and fiascos aside (no pun intended), Lupe, under all the pressure and scrutiny has crafted a dark and masterful sequel to "F&L" entitled "Lupe Fiasco's The Cool," and in the process has elevated his status as quite possibly, the best pound for pound MC walking the face of the earth today.
Before even popping "The Cool" into your CD player, let it be known musically, your're not going to get "F&L" part 2. Aside from smooth globe trotting jam which is "Paris,Tokyo," produced by 1st & 15th in-house producer Soundtrakk (who produced the bulk of "The Cool," 9 of 19 tracks), these beats pack a nasty punch with synths, organs, 808s, grand pianos, even guitars; matching the dark atmosphere of the album's concept.
The concept loosly revolves around the character first introduced to listeners though one of "F&L" most engaging tracks, the Kanye West produced "The Cool;" which tells the story of murdered hustler, Michael Young History, rising from the dead. 5 album's tracks tells the story of The Cool, including details on his rise ("The Coolest"), his fall ("The Die") and why "The Streets" murdered him ("Put You On Game").
Lupe even throws in his "Food For Thought" on worldly issues including vices and abuse ("Intruder Alert"), kids with guns overseas and virtually (the Patrick Stump of Fall Out Boy produced "Little Weapon"), the pressures of fame (the first single, "Superstar" feat. Matthew Santos), and addressing the health problems fast food causes in minority neighborhoods while speaking from the perspective of a Cheeseburger (yes, I said a chessburger) ("Gotta Eat"). The rest of the album's content is topics on which Lupe thinks is cool, including certain individual necessities ("Gold Watch"), Houston MCs ("Hip-Hop Saved My Life"), and Rock music ("Hello/Goodbye (Uncool) feat. Unkle). Even Uncle Snoop Dogg shows up and makes his one billionth guest appearance (I starting to believe that it's a right of passage in Hip-Hop that you have to calb with Snoop, which is not a bad thing all), on bouncy "Hi-Definition."
Can we talk about the lyrics? Can we PLEASE talk about the lyrics? Simply put, Lupe is a BEAST with the vocab. This album is loaded with so many similes, metaphors, and double meanings, it's a mental exercise to process and understand everything. Just look to "Streets On Fire" and the street single, "Dumb It Down" for evidence. As matter of fact, the forementioned "Put You On Game" which finds Lupe speaking from the perspective of "The Streets," features possibly one of the greatest four bars I have ever heard in rap. Just read this... "I am the American dream/The rape of Africa, The undying machine/ The overpriced medicine, The murderous regime/The tough guy's front, and the one behind the scenes." Did you get all that? I rewound those lines back a couple times in disbelieve and how dope it was. Lupe even shows how he can flip up his flow in and instant on the album's opener "Go Go Gadget Flow" as well as on "The Die," which finds Lu and FNF labelmate Gemstones adapting a double time delivery mastered by another known Chi-Town native, Twista.
As stated on one of the album's closing tracks, "Fighters," Lupe's next album, "LupEnd" will be his third and final album. If this the case (in which I hope is not), and if "LupEnd" is anywhere as good or better than "F&L" and "The Cool," Hip-Hop may have to make room for Lupe's name under G.O.A.T status, because believe it ya'll, he's that damn good. Rewind Material:
5) Talib Kweli- Eardrum (Blacksmith Entertainment/Warner Bros. Records
On "Everything Man," the opening track on Talib Kweli's third solo album, "Eardrum," Talib expresses the old saying, "You can't please everybody." In Kweli case, this more than just a saying, it's a personal statement. After recieving so much complanting and criticism from fans regarding the musicial direction of his last album, "The Beautiful Stuggle," Kweli felt he had a point to prove to all those "fans" that felt he "fell off." At the top of '07, came the free internet distributed E.P, "Liberation," entirely produced by Stones Throw in-house producer, Madlib (who also produced three joints on Eardrum, including the forementioned "Everything Man").
Then after a year delay and mulitple leaks, came the release of "Eardrum," Kweli's first album under his new label deal with Warner Bros, for his Blacksmith Entertainment imprint. "Eardrum" is Kweli most balanced solo project yet because it showcases part of the Kweli we all know and love from the old "Rawkus Era" and previews where he is going as an always evolving artists.
Right after the beautiful opener that is "Everything Man," comes the come a series of thunderous tracks. First is the Nick Speed produced "NY Weather Report," which features scratch work by world renouned DJs, Cut Chemist and Jazzy Jeff. The fireworks continue with the Just Blaze produced "Hostile Gospel Pt. 1 (Deliver Us)," and train reaches crticial level with the Will I Am produced "Say Something" featuring Blacksmith's own Jean Grae.
Kweli starts to smooth things out with "Country Cousins" featuring UGK and Raheem DeVaughn; in which he pick up a double time delivery and with the help of Bun B and Pimp C (R.I.P), shows that while people may be from different regions, they have more in come than they know. Next up is the first appearance by Soul Brother # 1, Pete Rock, in which while he does his signature adlibs, Talib rips into Hip-Hop status quo with "Holy Moly." This track is full of humorous, but truthful punchlines ("Baby Jay-Z's with the knock off Scott Storch beat..." LOL!!!).
After the "ghetto prayer" which is "Eat To Live," comes the Kanye West produced "In The Mood," featuring the legendary Roy Ayers. Full with flutes, horns, and bongos (yes bongos), Talib and 'Ye (in one his best on mic guest appearances) spit game to the opposite sex. Next is which considered my many, the highlight of the album, the Madlib produced "Soon Be The Day," featuring Norah Jones. The combination of Madlib's seductive instrumental, Norah Jones beautiful hook, and Kweli's mic work make this phenomenal song. The Battlecat and Terrance Martin produced "Give Em Hell" finds Kweli dissecting religion and showing how similar are beliefs are.
"More Or Less" is the reunion of Reflection Eternal members Kweli & Hi-Tek and features the soulful vocals of Dion on hook. Dion who is signed to Hi-Tek Productions and Dr. Dre's Aftermath Entertainment, has been making his rounds on many Hi-Tek productions including various tracks on "Hi-Teknology Vol. 2 and 3" and "Step It Up, Hi-Tek contribution to Little Brother's third album, "Getback." It is evident through "More Or Less" that the chemistry between Kweli & Hi-Tek is still there, which only raises expections for the highly anticipated sequel to their classic debut album, "Train Of Thought" slated for a 2008 release.
Pete Rock makes his encore apperance on the boards with "Stay Around." A track that musically, feels like a fresh throwback to something Pete would have done for "Mecca And The Soul Brother," with Kweli filling the role of CL Smooth. This leads to surprising summer hit, "Hot Thing" produced by Will I Am and interlude "Space Fruit" produced by Sa-Ra. "The Blastmaster" KRS-One makes apperance on the bangin' "The Perfect Beat," and Philly's own Musiq Soulchild providing guest vocals for "Oh My Stars," a dedication by Kweli to his kids. The album closes out the lead single, "Listen!!!" by produced Kwame (yes the same Kwame Biggie clowned on "Unbelievable." Dudes been producing bangas for a minute now).
The bonus tracks include the club banger "Go With Us" featuring West Coast representatives and Blacksmith signees Strong Arm Steady, Hostle Gospel Pt. 2 feat. Sizzla and the Justin Timberlake produced (Yes, Justin is making beats now. Makes sense since he has been hanging around The Neptunes and Timbaland for a minute now) "The Nature." Who would have thought 10 years ago the same dude who helped make "Definition" would make a crazy track with the same guy who helped sing "Tearin' Up My Heart?" Like Kweli said on the intro to "The Nature," "Expect the unexpected."
Kweli delievers on cylinders with "Eardrum." After debuting # 2 his first week (outselling Swizz Beats highly publicized album "One Man Band Man"), reaching new audience, and Reflection Eternal Part 2 on tap, Kweli is looking continue the year of the Blacksmith in 2008. Rewind Material:
4) Jay-Z- American Gangster (Roc-A-Fella Records/Def Jam Recordings)
"The Mike Jordan Of Recording" just can't stay away. Sure he owns part of an NBA team. Sure he was president of the godfather of all Hip-Hop labels for two years, guiding some biggest names in music today. Sure he owns his own chain of night clubs, now planning to expland that club business into a hotel chain. Sure he sold Roc-A-Wear for a HUGE check. Sure he is an ambassador with UN for a campaign for clean water worldwide. And yeah, sure he has "The hottest chick in game" wearing his chain. But more than all that, the man born Shawn Corey Carter is MC. Possibly the greatest to ever do it. He's in love with the music. This is why even after all his accomplishments outside of music, he just can't put down the mic. And for us, that is a good thing.
Many may not understood Jay's new musical direction viva is 2006 "comeback" album "Kingdom Come" (FYI I liked Kingdom Come, aside for two tracks), but it was understood Jay had evolve from the "Reasonable Doubt" days. For years, many fans have been asking for the sequel to Jay's now classic debut album. But realistically, how do you expect a person to rap about "that" life with conviction if they are years removed from it?
Enter the Ridley Scott directed, Denzel Washington, Russell Crowe starring fall blockbuster "American Gangster." The story goes like this. Jay was asked to view an early screening of the film around September and according to him, seeing this movie brought back old memories of living "that" life. So many memories in fact in came up with the idea of recording a concept album loosely based on the flim (Sidenote- Ironicly, a year before this even happen, Denzel campaigned to get Jay-Z to create the offical soundtrack for the film. But film producers and director Ridley Scott wanted to keep that 70s soundtrack intact because the film was based in that era).
If you have seen "American Gangster," you will understand Jay's thought process in making this album a little better. What he did was take certain scenes from the movie that stuck out to him, put that scene on pause, and expand on them through song. For example, there a scene in which Frank Lucas' nephew (played by T.I) tells his Uncle Frank he wants to be a part of the "Family Business." Jay, being an uncle himself, put himself in that situation. Thus came the track "Sweet."
But now to be confused, Jay is not rapping from the perspective of Frank Lucas. He is taking the story outline of the movie, referencing the flim's events to his real life experiences, and showcasing the allure and destructiveness of the lifestyle. Bottom line, "American Gangster," content wise, is the closest heads with get for a "Reasonable Doubt 2."
Musically, this is the most soulful Jay has sounded since "The Blueprint." With the foundation of the album created by (of all people) Diddy and The Hitmen (Sean C and LV), Hov sounds rejuvenated and spit verses that will go alongside some of his most known work. "Pray," the Marvin Gaye sample on "American Dreamin'" "No Hook," The Neptunes produced "I Know," which finds Hov rhyming from the perspective of crack, "Party Life" ("You're Boy's off the wall/these other niggas is Tito"), one the years biggest party anthems, "Roc Boys" and off course... there's "Success" featuring Nas.
Now, I thought "Black Republican" was dope, but this was THE track we have been waiting to hear from the former foes. The ruckus organs and breakbeat provided by No I.D and Jermaine Dupri is the perfect soundtrack for these two legends to get down on. No I.D and J.D also supply "A.G's" finale "Fallen," featuring the vocals of Bilal. Just Blaze also makes a double appearance with a revamped version of "Ignorant Shit" featuring Beanie Segel, which was orginally intended for "The Black Album," and the last bonus track "American Gangster," (the first bonus track is the first single, The Neptunes produced "Blue Magic"). DJ Troomp, fresh off his sucess with Kanye with "Graduation," blesses Hov with soulful bounce of "Say Hello."
If there were any doubts that Hov had lost a step, those doubts are no longer credible. "American Gangster" can rightful placed alongside Hov's best: Reasonable Doubt, The Blueprint, and The Black Album. In other words, Hov is back. Rewind Material:
Like I've said before, this was the album of the summer for me. I was geeked like a muthafucka to go down to store and pick up my reserved copy. As a matter of fact, I don't think I've EVER pre orded an album before (but hey, I wanted to the free poster, lol!). I was even more geeked, after holding out on every leak of the album, listening to most of what is now known as Common's seventh album, "Finding Forever," first time live for a taping for Yahoo's Live Sets with Key and P, a week before the album came out.
This album is a career changer for Com Sense. His first time debuting on the charts at number 1, finally recieving the accolades that has long deserting him. I was very surprise when B.E.T gave him "Lyricist Of The Year, and "Co-Album of The Year" with T.I. Which brings up another point, what kind of award show TIES for anything!??!? Plus knowing that "T.I VS. TIP" was no where as good as "King," I couldn't even justify the tie. But back on topic, beyond the awards, movie roles, and endorsements (I never thought I would see Com in a GMC commerical), there was just one bangin album.
With the lionshare of "Forever" produced by Kanye West (8 of 12 tracks), the album was sonically cohesive and brought out some of the best in Com as an MC. Com snapped and brought back out the B-Boy in him on the album opener "Start The Show, The Kanye featured "Southside," which finds 'Ye and Com going back and forth lyrically over roaring guitars, "tug-a-war" style, and the boom bap flavor of "The Game," featuring scratches by legendary producer DJ Premier. "Forever" even see Com venturing more into storytelling rhymes, songs that touch on subjects such as stereotypes ("U, Black Maybe"), love, (the Will I Am produced "I Want You" and the Kanye produced "Break My Heart") Redemption (the Devo Springsteen "Misunderstood"), and idea of forever (on the powerful closing track, "Forever Begins."
Sequencing is a key element in why the is album is so good. The intro to "Start The Show" to the lead single "The People," featuring Dwelle is a combination that dares the listener to press the skip button. The interludes also add another extra spice to mix as well. If there is any kind of complaint I have of this album, it's one and it's VERY small. I prefer the original version of "So Far To Go" (from J Dilla's "The Shining") for a couple of reasons. One, I think Com lyrically is better on that version. Two, D'Angelo's singing is MUCH better on that version, and three (and this one maybe can be considered some what nick picking), but I love how the beat rides out at end on the orginal. However, I love how the beat breakdown on D's "Come On, Come on baby" adlibs at the end of the second hook on the new version. If you don't understand this (especially point number 3), it's ok, it's really musicians talk, lol!!
Overall, I felt "Finding Forever" had more energy than BE (not to knock BE at all, which is classic album) and helped continued Com's evolution as an artist. Bottom line, it was just as Com put it before, it was "real Hip-Hop, from the Soul ya'll." According to Com, via an aricle in the January issue of XXL, he will release an EP entitled "Invincible Summer" dropping sometime this summer. Well, it looks like Com, at his all time populartiy, is not looking to slow down musically, and maybe is about to drop another summertime classic for your truly. Rewind Material:
2) Little Brother- Getback (ABB Records)
True story. How I was introduced to the then trio known as Little Brother from Durham, North Carolina was around 2003 late into my freshman year in high school while flipping the channels and coming across the Rap channel on Music Choice. They were playing the lead single from their now classic debut album, "The Listening," called "The Getup." I listened to to it, bopped my head, and thought think nothing of it, lol!!!
But I did recall the name Little Brother two years later as a senior, when I saw the commerical for their sophormore album "The Minstrel Show," on MTV for about 20 seconds. The commerical played about only a snippet of album's lead single "Lovin' It" and I instantly said to myself, "I gotta get this album." No lie, I did not hear not a syllable of Phonte, Big Pooh, or guest Joe Scudda's verse on that song before I bought the album. It just took 20 seconds of the hypnotic beat provided by 9th Wonder (who's name I reconized, like many, from the track he produced for Jay-Z "The Black Album," "Threat") to draw me in, and on a leap of faith (as I was looking for more Hip-Hop to listen to because it at this time, I had become completely fed up with radio), I purchased a copy of "The Minstrel Show" the week it dropped. I have been gigantic LB supporter ever since.
Now fast forward two years later. I am a sophomore in college and Little Brother has undergone some changes. At the top of 2007, LB announced that they were mutually parting ways with their label, Atlantic Records, and more shocking shocking than anything, founding group member and producer 9th Wonder, would also be parting ways with Tay and Pooh. I must admit, while I never would have turned my back on Tay and Pooh as a fan, I couldn't make up what this new album would sound like. Not hearing not hearing LB over a 9th track was almost like a Peanut Butter sandwich with no jelly. But like many, jumped to conclusions, and just sat back and waited for the results. The results would turn out to be another crowning achievement for Little Brother. LB has score three for three on the classic chart with "Getback."
Out of all the albums I selected for this list, when it came to selecting the four tracks for the "Rewind Material" portion, I had the hardest time selecting four tracks. This is because I can honestly throw up all 11 tracks and say "listen." This is HOW GOOD THIS ALBUM IS. "Getback" starts where "The Minstrel Show" leaves off, with LB being cut off the air from UBN (while playing a piano interpretation of "Minstrel Show's" closing track "We Got Next" it playing in a "please stand by" t.v tone).
But then they are cut back on air, which leads to the explosive opening track "Sirens" produced by Illmind (who produced most of Getback, 4 tracks) featuring a haunting hook by Carlitta Durand (who is also featured on "After The Party"), discussing how blind we are as a society and the need to wake up. "Can't Win For Losing" is Phonte and Pooh catching up everyone up what has happened to them in the last two years personally and professionally. The musicially, this song has a crazy meter change that just blew my mind as a producer.
Next is lone 9th Wonder track "Breakin' My Heart," which is by all means, not a "typical" 9th track. Gone is that trademark snare, replaced with a crisp hand clap, and corky sample, with a dancing bassline. Needless to say, it is an answer to crtics who think 9th, as a produer, is one dimensional. 9th is the only who achieves something great on this song, LB aside from providing another comedic joint about the opposite sex, has sucessfully (and has to share this award with Kanye, Jay, Outkast, and Robin Thicke) made me tolerate a Lil' Wayne guest appearance. Shit, I shamefully know Weezy's 16 bars on this song, LMAO!!! But hey, I was album to put at least 3 people up LB because of this song. So I guess it all paid off in the end right?
After "Breakin'" comes the first single, "Good Clothes," which finds Tay and Pooh, over Illmind triumphed horns, talking about how to get fresh to death... on a low budget. The Khrysis produced hypnotizing "After The Party" bring about the second appearance from Carlitta Durand and one of the funnest intros to a song I have ever heard, lol! This is the sequel to LB's "Life Of The Party," which can be found on the Justus League compilation, "Soliders Of Fortune."
Detroit produer (and D-12 member)Denaun Porter supplies 909 drums and a chop manipulation that would have made even Jay Dee "geek down" on "Extrahard," an anthem in Tay and Pooh discuss striving for greatness. Hi-Tek come through with the silky smooth "Step It Up," with Dion on the hook, LB gives tips on how to up your game with the females. The Nottz produced "Two Step Blues" featuring LB hook man, Darien Brockington, is one of those joints that I picture getting played at wedding and family cookouts. This one is one is for the grown and sexy, featuring a funky trumpet solo by Stan "The Trumpet Man" Graham.
The next track, "That Ain't Love" featuring Jozeemo, is considered by many, the highlight of the album. Everyone could relate to the subject of the ones that are closest to you, can hurt you the most. All three verses talk about different individuals over Illmind's heartbreaking instrumental. The next track, the Rashid Hadee produced "Dreams" is one of my favorites. The combination of that horn chop, and Tay and Pooh heartfelt verses almost most made me cry in how touching that song is. The hook hit home for me, "Mama, I got dreams, but dreams don't keep the lights on." Damn, ain't it the truth. The closing track, produced by Zo!, starts a new beginning for LB and brings the album to celebratory close. Upon the first listen, the interlude seemed to interupt the flow of the album, but after multiple listening, those interludes enhance the experience of the album.
Lyrically, this album supplied me with the most Facebook worth stanzas (aside from the number one album on this list). It's crazy when you can directly identify with the artists you are listening to and it feel like they are speaking for you. That is the magic of music. On a personal note, the week this album dropped (and I was able to cop the album three days in advance), I had one the worst weeks I had experienced in a minute. This album helped me get thorugh that week.
More so, I took the meaning behind the title of album, as personal statement. Getting back to me, getting back to whats important, getting things back in order, and getting back to basics; Pooh and Tay saw this album as "getting back" to having fun making music. I guess in all our lives, sometimes we all need to "getback." It's just figuring out how. Thanks Pooh and Tay, for helping me "getback." Rewind Material:
I know it's supposed to be four, but damn it, I had through this one on here...
1) Kanye West- Graduation (G.O.O.D Music/Roc-A-Fella Records/Def Jam Recordings)
"Damn, where else can he take it?" That was the exact question I asked myself after listening to his debut "College Dropout." A little more than a year later, I found myself asking the same exact question after listening to "Late Registration" for the first time. Well, being the trendsetter he is, Mr. West answered my question yet again, and like the group at number two on this list, is three for three in classic albums.
In creating "Graduation," Kanye had the concept of wanting make records that he could rock live in stadiums filled with 50,000 plus people. Sonically, he has accomplished this goal. I noticed this upon my first listen of "Graduation," which was on my way back from the Best Buy I purchased it from (I bought two that day, one for me, one for my baby sister. Yeah, I bought into the 'Ye/50 battle too, lol!!).
This album, with it's throbbing percussion, warmth synths (which can thanked largely impart to DJ Troomp, who co-produced three tracks, and provided some of his best synth work since T.I's "What You Know"), and unbelievable chord progessions is made for a rides with a knocking subwoofer, state of the art stereos, huge monstrosity DJ size headphones (that I always rock), and stadiums. Loud and at full volume. This is the best (and quite frankly), the only way to truly enjoy "Graduation."
In record digging department, 'Ye is basically telling producers to "step there digging up." I have not seen a major label release, which such a diverse list of samples. I mean come on, Elton John ("Good Morning"), to Steely Dan ("Champion") to Daft Punk ("Stronger") to Labi Siffre ("I Wonder") to Michael Jackson ("Good Life")? Who does that!??!?! The only other known producer, off the top of head, that I can think that flips such a large range of samples, is Madlib.
Lyrically, this is Kanye at his best. Don't get me wrong, I always thought 'Ye was pretty nice on the mic, but on "Graduation," he is trying to make the point that he a "top five MC" (as stated on Nottz co-produced, and Lil' Wayne featured "Barry Bonds"), and does a pretty damn good job at making his point. Tracks like "Champion" "I Wonder," "Everything I Am," "Flashing Lights" (my favorite track), and especially "Can't Tell Me Nothing" find Kanye at his most honest. Probably his most honest showing is the tribute song to Jay-Z, "Big Brother," which in according to Jay, is the song Kanye his written since "Jesus Walks." "Graduation" also features Kanye flipping the Mountain "Long Red" sample for himself this time on the gritty but soulful "The Glory" (Originally intented for Common's Finding Forever) and a revampted version of "Home" entited "Homecoming." The orginal version was a demo for "College Dropout" and featured John Legend on the hook, instead of Coldplay's Chris Martin.
So, why is "Graduation" my favorite album of 2007? Well, aside from its musical achievements (it made look at synths in Hip-Hop a lot different), I saw a lot of me within this album. The attitude it presented, the messages 'Ye was getting across, the ideas of "I'm going to make it," "I'm going to prove wrong," and "no matter what happens, your not going to stop me," being on the cutting edge and making trends instead of following them, that is me, 100% percent. This is where my life was at that moment, and honestly, that attitude has increased ten fold since then.
Like the other two albums in my top 3, when I first bought it, I played nothing, and I mean absolutely NOTHING but this album for a full week. I played it so much, I had to take a break for a least for a week and half from it, then went back to playing. That is the sign of an excellent album. "Graduation" didn't hit me immediately like "Dropout" or "Registration," but like many will testify for me, it sure as hell grew on me and has already aged well. From the its musical achevements, to its hype with 50, to it's own personal impact on me, when I look back on 2007, like "College Dropout" in 2004, "Late Registration" in 2005, "Graduation" will be there alongside in my memories. Kanye West's "Graduation" is my favorite album of 2007. Well, guess since we are at it, I guess I will asked this question again, but this publicly, "Damn, where else can he take it?" I waiting with your answer with anticipation. Rewind Material: When I first heard this a couple days before the album dropped, my reaction was just like that wolf in those Droopy cartoon when the White girl in the red dress used to come out... mouth on the ground. Wow...
On a person note, I want to once again send my condolences and prayers out to the entire West family on the lost of Kanye's mother, Dr. Donna West. May she rest in peace.
Well, that's it. 2007 in a musical nutshell. I hope you had has much reading this as much as I had fun writing this. 2008 already shaping up to be another year full of memories through music. I already have some albums in mind that will make next years list. Hopefully, I can make it your list this with long awaited release of "V.I.S.I.O.N.S." with my man, Key-Real "The Poet," coming this Spring. I can't wait to share this album with you all. Stay tuned to The Low End Theory throughout 2008 for everything H.F.P, and frankly, anything that's on my mind, lol!! Well, it's new year, a new day, a new way, now go make history, ya dig?
My exact words when I was on Okayplayer and saw a post for the video for "Success," one of my favorite (if not my favorite) track of Hov's American Gangster. Jay & Nas in a video??!? Haaaa!?!? I'm hyped!!! So here you go, (In my loud echo voice) WORLD PREMIERE!!!!
Sike!!! LOL!! Yeah, that shit got me too, LMAO!!! And that shit came on hard too. But then, WTF!?!!? LMAO!!! FYI the dude in the video is Rick Ashley. The song is called "Never Gonna Give You Up." It was a big single in the 80's. (Sighs) Oh well, back to studying, lol!!
Thanksgiving With my sister and the Top Teens (Inglewood Chapter)serving meals to the homeless.
The homie Martin serving punch
A lot of dishes I had to clean (I did most of dem jointz).
With the family for dinner
I must of had about 5 plates on Thursday (plus desserts). I woke up that morning with a plate in my face, lol.
Two of three most important women in my life (my grandmother is the third).
My Auntie Jenny's wedding
The Fam
On The Dance Floor. I was getting my old school dance on doin "The Wop" lol. I gotta see if I can upload the video on here.
My uncle Brandon with his new girlfriend getting his two-step on. I'm happy for him, she cool peoples.
Always on my beats. Check near my turntable. I ended up catching the garter at the wedding. But ladies don't worry, I'm single at this time and don't plan on cashing that in for at least another 10 years.. lol!
I FINALLY got my hands on this album... classic Hov.
Three weeks to Christmas Vaca... wow, time flies, it's that time of the year again.
Los Angeles AKA DA Wild Wild West, California, United States
DJ Chuck "thE oLd SouL," prez & owner of The Mighty, Mighty, Honor Flow Productions and a Young Black Man with a lot of his mind that "thinks too much" (c) A.D.
